HEART OF THE WEST _O. Henry

I

HEARTS AND CROSSES

Baldy Woods reached for the bottle, and got it. Whenever Baldy went for anything he usually--but this is not Baldy's story. He poured out a third drink that was larger by a finger than the first and second.

Baldy was in consultation; and the consultee is worthy of his hire.

"I'd be king if I was you," said Baldy, so positively that his holster creaked and his spurs rattled.

Webb Yeager pushed back his flat-brimmed Stetson, and made further disorder in his straw-coloured hair. The tonsorial recourse being without avail, he followed the liquid example of the more resourceful Baldy.

"If a man marries a queen, it oughtn't to make him a two-spot," declared Webb, epitomising his grievances.

"Sure not," said Baldy, sympathetic, still thirsty, and genuinely solicitous concerning the relative value of the cards. "By rights you're a king. If I was you, I'd call for a new deal. The cards have been stacked on you--I'll tell you what you are, Webb Yeager."

"What?" asked Webb, with a hopeful look in his pale-blue eyes.

"You're a prince-consort."

"Go easy," said Webb. "I never blackguarded you none."

"It's a title," explained Baldy, "up among the picture-cards; but it don't take no tricks. I'll tell you, Webb. It's a brand they're got for certain animals in Europe. Say that you or me or one of them Dutch dukes marries in a royal family. Well, by and by our wife gets to be queen. Are we king? Not in a million years. At the coronation ceremonies we march between little casino and the Ninth Grand Custodian of the Royal Hall Bedchamber. The only use we are is to appear in photographs, and accept the responsibility for the heir apparent. That ain't any square deal. Yes, sir, Webb, you're a prince consort; and if I was you, I'd start a interregnum or a habeus corpus or somethin'; and I'd be king if I had to turn from the bottom of the deck."

Baldy emptied his glass to the ratification of his Warwick pose.

HENRY MILLER was born on December 26, 1891, in Manhattan and grew up in Brooklyn. After a string of dreary jobs and a disastrous first marriage, Miller left for Paris in 1930. Tropic of Cancer, published when he was forty-three and immediately banned in all English-speaking countries, is considered his most important book. Miller's works include Black Spring (1936), Tropic of Capricorn (1939), The Cosmological Eye (1939), The Colossus of Maroussi (1941), The Time of the Assassins (1946), The Air-Conditioned Nightmare (1945), and his autobiographical trilogy, The Rosy Crucifixion, comprised of Sexus (1949), Plexus (1953), and Nexus (1960). In 1940, Miller returned to America and settled in Big Sur, California. A lusty romantic. Miller married five times, the last to Japanese singer Hoki Tokuda. His courageous legal battle against the censorship of Tropic of Cancer ended with a landmark 1964 Supreme Court decision, which guaranteed a new freedom of expression to all American writers. Generous and supportive of other artists throughout his life.

Henry Miller in his final years was surrounded by young admirers and old friends. Writing, painting, and carrying on a voluminous correspondence until the very end. Henry Miller died in June, 1980, in the arms of his housekeeper.

HENRY MILLER

CHAPTER I

THE HOMERIC AGE

The aim of this book is to prove that the Homeric Epics, as wholes, and apart from passages gravely suspected in antiquity, present a perfectly harmonious picture of the entire life and civilisation of one single age. The faint variations in the design are not greater than such as mark every moment of culture, for in all there is some movement; in all, cases are modified by circumstances. If our contention be true, it will follow that the poems themselves, as wholes, are the product of a single age, not a mosaic of the work of several changeful centuries.

This must be the case--if the life drawn is harmonious, the picture must be the work of a single epoch--for it is not in the nature of early uncritical times that later poets should adhere, or even try to adhere, to the minute details of law, custom, opinion, dress, weapons, houses, and so on, as presented in earlier lays or sagas on the same set of subjects. Even less are poets in uncritical times inclined to "archaise," either by attempting to draw fancy pictures of the manners of the past, or by making researches in graves, or among old votive offerings in temples, for the purpose of "preserving local colour." The idea of such archaising is peculiar to modern times. To take an instance much to the point, Virgil was a learned poet, famous for his antiquarian erudition, and professedly imitating and borrowing from Homer. Now, had Virgil worked as a man of to-day would work on a poem of Trojan times, he would have represented his heroes as using weapons of bronze. [Footnote: Looking back at my own poem, _Helen of Troy_ (1883), I find that when the metal of a weapon is mentioned the metal is bronze.] No such idea of archaising occurred to the learned Virgil. It is "the iron" that pierces the head of Remulus (_Aeneid_, IX. 633); it is "the iron" that waxes warm in the breast of Antiphates (IX. 701).

Virgil's men, again, do not wear the great Homeric shield, suspended by a baldric: AEneas holds up his buckler (_clipeus_), borne "on his left arm" (X. 26 i). Homer, familiar with no buckler worn on the left arm, has no such description. When the hostile ranks are to be broken, in the _Aeneid_ it is "with the iron" (X. 372), and so throughout.

CHAPTER I.

YOU don't know about me without you have read a book by the name of The Adventures of Tom Sawyer; but that ain't no matter. That book was made by Mr. Mark Twain, and he told the truth, mainly. There was things which he stretched, but mainly he told the truth. That is nothing. I never seen anybody but lied one time or another, without it was Aunt Polly, or the widow, or maybe Mary. Aunt Polly--Tom's Aunt Polly, she is--and Mary, and the Widow Douglas is all told about in that book, which is mostly a true book, with some stretchers, as I said before.

Now the way that the book winds up is this: Tom and me found the money that the robbers hid in the cave, and it made us rich. We got six thousand dollars apiece--all gold. It was an awful sight of money when it was piled up. Well, Judge Thatcher he took it and put it out at interest, and it fetched us a dollar a day apiece all the year round --more than a body could tell what to do with. The Widow Douglas she took me for her son, and allowed she would sivilize me; but it was rough living in the house all the time, considering how dismal regular and decent the widow was in all her ways; and so when I couldn't stand it no longer I lit out. I got into my old rags and my sugar-hogshead again, and was free and satisfied. But Tom Sawyer he hunted me up and said he was going to start a band of robbers, and I might join if I would go back to the widow and be respectable. So I went back.

The widow she cried over me, and called me a poor lost lamb, and she called me a lot of other names, too, but she never meant no harm by it.

She put me in them new clothes again, and I couldn't do nothing but sweat and sweat, and feel all cramped up. Well, then, the old thing commenced again. The widow rung a bell for supper, and you had to come to time.

When you got to the table you couldn't go right to eating, but you had to wait for the widow to tuck down her head and grumble a little over the victuals, though there warn't really anything the matter with them,--that is, nothing only everything was cooked by itself. In a barrel of odds and ends it is different; things get mixed up, and the juice kind of swaps around, and the things go better.

PART 1: THE MARQUESAS

CHAPTER I--AN ISLAND LANDFALL

For nearly ten years my health had been declining; and for some while before I set forth upon my voyage, I believed I was come to the afterpiece of life, and had only the nurse and undertaker to expect. It was suggested that I should try the South Seas; and I was not unwilling to visit like a ghost, and be carried like a bale, among scenes that had attracted me in youth and health. I chartered accordingly Dr. Merrit's schooner yacht, the Casco, seventy-four tons register; sailed from San Francisco towards the end of June 1888, visited the eastern islands, and was left early the next year at Honolulu. Hence, lacking courage to return to my old life of the house and sick-room, I set forth to leeward in a trading schooner, the Equator, of a little over seventy tons, spent four months among the atolls (low coral islands) of the Gilbert group, and reached Samoa towards the close of '89. By that time gratitude and habit were beginning to attach me to the islands; I had gained a competency of strength; I had made friends; I had learned new interests; the time of my voyages had passed like days in fairyland; and I decided to remain. I began to prepare these pages at sea, on a third cruise, in the trading steamer Janet Nicoll. If more days are granted me, they shall be passed where I have found life most pleasant and man most interesting; the axes of my black boys are already clearing the foundations of my future house; and I must learn to address readers from the uttermost parts of the sea.

That I should thus have reversed the verdict of Lord Tennyson's hero is less eccentric than appears. Few men who come to the islands leave them; they grow grey where they alighted; the palm shades and the trade-wind fans them till they die, perhaps cherishing to the last the fancy of a visit home, which is rarely made, more rarely enjoyed, and yet more rarely repeated. No part of the world exerts the same attractive power upon the visitor, and the task before me is to communicate to fireside travellers some sense of its seduction, and to describe the life, at sea and ashore, of many hundred thousand persons, some of our own blood and language, all our contemporaries, and yet as remote in thought and habit as Rob Roy or Barbarossa, the Apostles or the Caesars.

PART I

GOSSIPS AND FANTASIES

I

A VISION OF THE BURDEN OF MAN

And it came to pass that my soul was vexed with the problems of life, so that I could not sleep. So I opened a book by a lady novelist, and fell to reading therein. And of a sudden I looked up, and lo! a great host of women filled the chamber, which had become as the Albert Hall for magnitude--women of all complexions, countries, times, ages, and sexes.

Some were bewitching and beautiful, some wan and flat-breasted, some elegant and stately, some ugly and squat, some plain and whitewashed, and some painted and decorated; women in silk gowns, and women in divided skirts, and women in widows' weeds, and women in knickerbockers, and women in ulsters, and women in furs, and women in crinolines, and women in tights, and women in rags; but every woman of them all in tears. The great chamber was full of a mighty babel; shouts and ululations, groans and moans, weeping and wailing and gnashing of false and genuine teeth, and tearing of hair both artificial and natural; and therewith the flutter of a myriad fans, and the rustle of a million powder-puffs. And the air reeked with a thousand indescribable scents--patchouli and attar of roses and cherry blossom, and the heavy odours of hair-oil and dyes and cosmetics and patent medicines innumerable.

Now when the women perceived me on my reading-chair in their midst, the shrill babel swelled to a savage thunder of menace, so that I deemed they were wroth with me for intruding upon them in mine own house; but as mine ear grew accustomed to the babel of tongues, I became aware of the true import of their ejaculations.

"O son of man!" they cried, in various voices: "thy cruel reign is over, thy long tyranny is done; thou hast glutted thyself with victims, thou hast got drunken on our hearts' blood, we have made sport for thee in our blindness. But the Light is come at last, the slow night has budded into the rose of dawn, the masculine monster is in his death-throes, the kingdom of justice is at hand, the Doll's House has been condemned by the sanitary inspector."

PART 1

THE SHADOW BEFORE

'They begin!

The perfections are sharpened The flower spreads its colored petals wide in the sun But the tongue of the bee misses them They sink back into the loam crying out - you may call it a cry that creeps over them, a shiver as they wilt and disappear . . . . '

- William Carlos Williams, Paterson

"Born down in a dead man's town"

- Bruce Springsteen

C H A P T E R 1

After the Flood (1957)

1

The terror, which would not end for another twenty-eight years - if it ever did end - began, so far as I know or can tell, with a boat made from a sheet of newspaper floating down a gutter swollen with rain.

The boat bobbed, listed, righted itself again, dived bravely through treacherous whirlpools, and continued on its way down Witcham Street toward the traffic light which marked the intersection of Witcham and Jackson. The three vertical lenses on all sides of the traffic light were dark this afternoon in the fall of 1957, and the houses were all dark, too. There had been steady rain for a week now, and two days ago the winds had come as well. Most sections of Derry had lost their power then, and it was not back on yet.

A small boy in a yellow slicker and red galoshes ran cheerfully along beside the newspaper boat. The rain had not stopped, but it was finally slackening. It tapped on the yellow hood of the boy's slicker, sounding to his ears like rain on a shed roof . . . a comfortable, almost cozy sound. The boy in the yellow slicker was George Denbrough. He was six. His brother, William, known to most of the kids at Derry Elementary School (and even to the teachers, who would never have used the nickname to his face) as Stuttering Bill, was at home, hacking out the last of a nasty case of influenza. In that autumn of 1957, eight months before the real horrors began and twenty-eight years before the final showdown, Stuttering Bill was ten years old.

Bill had made the boat beside which George now ran. He had made it sitting up in bed, his back propped against a pile of pillows, while their mother played Fьr Elise on the piano in the parlor and rain swept restlessly against his bedroom window.